投稿者「KCJS 34」のアーカイブ

Kaela Brandt: Assistant English Teacher

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At my home school, I am majoring in CSHD (Child Studies and Human Development), so for my CIP I really hoped to do something where I could work with kids. I am also interested in education, so when I explained my wishes to 中村先生, she was able to connection me to 末光先生 (Suemitsu-sensei), who is a private English tutor for young children.中村先生 called 末光先生 ahead of time to explain my situation, but I was also able to make the phone call and talk to 末光先生 myself, to ask if she would take me on as a teaching assistant. I really appreciated this initially process, because I was able to receive some assistance while also having some agency in pursuing my CIP.

末光先生 holds private English teachings at her house, where she and her sister live. Her sister teaches in arts and crafts, so not only is their home decorated beautifully, but the room dedicated to 末光先生’s lessons truly looks like a real classroom! They have visuals and posters of all kinds, games, calendars, abc and counting frames, and books in both Japanese and English for kids as young as kindergarden all the way through late middle school/early high school. I typically attend lessons once a week, for around 1-2 hours. The lessons I assist with are for two young girls, one 10 years old and the other 12. Transportation to and from my CIP is quite easy, as 末光先生’s house is close to Kitaoji Station, only 2 stops away from Imadegawa on the Karasuma line.

I have truly had the most wonderful time during this CIP. I very much enjoy the learning process, so having the opportunity to see and participate in these classes is such a privilege. Linguistically, seeing the way English is taught and experienced by native Japanese speakers is super interesting as well. Many of the materials 末光先生 uses are similar to what I used when I was younger, but seeing firsthand the small differences and approaches to how English is taught has been fascinating. There are many references to American culture that even 末光先生, someone who has studied English the majority of her life and even lived in the U.S. at one point, is puzzled by. I was usually able to shed some light on these elements, but sometimes even I was stumped as well!

The two young girls I worked with were shy at first, but quickly opened up after a few lessons, and we have now grown quite close. What surprised me most was how funny they are after getting more comfortable! We are often able to laugh about various things during our lessons, whether it is bizarre American culture references, the difficulties of grammar in both English and Japanese, or the events of our days. Something that definitely helped us feel closer was when we started to incorporate some more Japanese into our lessons. At first, 末光先生 only wanted me to speak English during the lessons, since it is important to have the exposure of a native speaker for any language learning process. However, 末光先生 also gave me many opportunities to practice Japanese, which helped with my confidence, and made the kids feel more comfortable as well. Before the lesson begins, I explain the events of my day and ask questions to the kids in English. At the end of the lesson, we normally do the same thing, but in Japanese. Also, 末光先生 will sometimes have me read short children’s books in English, but then repeat the same thing in Japanese.

I have also had the opportunity to speak Japanese at events outside of the lessons. For example, 末光先生 held an Oden Party, which was attended by myself, 中村先生, and a few of her students. We all ate oden while taking turns reading our book of choice to the group, all in Japanese. I read Urashimataro, and I was very nervous, but everyone was so kind and encouraging! Also, 末光先生 held a Halloween party, in which I met nearly all of her students and participated in a short skit of Snow White and the Seven Dwarfs. Besides the reading of a short Halloween story, I spoke in Japanese to the children, which worked well, considering my level of Japanese is definitely still at elementary level. I found, also, that it is quite easy to get along with children even with a significant language barrier. Body language and overall demeanor carry much weight, and at the end of the day, many children just want to be around someone who will listen, which I more than happy to do.

Of all the good things to come of my CIP, I am perhaps most grateful for the relationship I have built with 末光先生. She is truly one of the kindest people I have ever met, and is inspiring both as a teacher and a human being. She and her sister have made me feel so welcome in their home, and even have me over for dinner from time to time. We have long conversations in a mix of English and Japanese, and they are endlessly patient with me as I try to match their very good English with my very poor Japanese. They are always excited to share all they know of Japanese culture, and ask many questions about America as well. This semester, KCJS was not able to have host families due to COVID-19 precautions. However, 末光先生 and her sister have made me feel a little bit of what that might have been like, to be so cared for and accepted in a way I did not expect. I encourage anyone who wishes to do a CIP in a classroom setting/working with kids to also engage with the adults in these roles as well; they are extremely passionate about what they do, are more than happy to share what they know with you, and you never know the bonds you may form along the way! My CIP experience is one I will cherish forever, and is definitely one of the most memorable aspects of my time in Japan.

Fabiola Alvarez: Dancer at Fly Dance Studio

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For my Community Involvement Project, I had the opportunity to dance at Fly Dance Studio in Kyoto. I have been dancing for over 10 years and I want to work in the dance industry in the future, so I wanted to participate in the performing arts scene in Japan. Fly Dance Studio specializes in Hip-Hop, so I had the chance to improve my skills in this style. I grew stronger and learned a lot in terms of technique, and I was able to step out of my comfort zone in using and understanding Japanese.

One of the first things that stood out to me the most was how dancers greeted each other when they entered the studio. Everyone said “ohayou gozaimasu” even though the studio opens at 4pm. At first I was confused, but soon learned that this is common in the performing arts world in Japan. The hiphop culture at this studio was more westernized than I expected, with English songs being used a lot more than Japanese songs, and everyone dressed in western-style dance wear. The rap industry is huge in America, which is likely the reason these English songs are used for more upbeat choreography. However, in the Jazz Hiphop classes that were much slower and more lyrical, Japanese songs were more frequently used. I learned lots of vocabulary related to movement and body parts. Because my teachers were both men and women, I had the opportunity to practice listening to various genders and their way of speaking. Some teachers were easier to understand than others, but overall I felt myself improving a lot in my listening comprehension and understanding of Kansai dialect.

Perhaps another interesting feature of this studio is that it does not separate by age. In the United States, it is common to have separate classes for adults, kids, and teens, but there were large age gaps in all of my classes at Fly, so some people were as young as seven or eight-years-old or as old as 60. Even though it can be difficult for the teacher to adjust to student gaps in dance experience and physical ability, as a student it felt very welcoming to be able to take the same class regardless of age. Everyone learned at their own pace and was able to adjust the choreography based on their own physical abilities.

Fly Dance Studio will work you hard, but you will get better. The instructors are very good at what they do; there was not a single class that I did not enjoy, and the level was perfect for me. If you do not have any dance experience, I would recommend sticking to the very beginner classes, but do not be afraid to challenge yourself with the more advanced classes!

Anson Alvarez: Kyoto University Board Game Club and Bazaar Cafe

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During my time at KCJS, I actually participated in two separate CIPs, although I had much greater success and enjoyment with the second one I joined.

My first CIP was the Board Game Club at Kyoto University.  I really enjoy playing board games with my friends and family at home, and when I saw on their Twitter that they played some games I was familiar with, I was excited to go try out some new games and get some Japanese practice in the process.  Unfortunately, it was not exactly what I had hoped for.  Firstly, this was more of a personal problem than anything, but the location I was living made the commute to and from Kyoto University incredibly inconvenient, and given that their meetings were held more in the evening, I always had to make sure I had enough time to go to the club and then make it home in time to do everything else I had to do for classes.  In addition, the other members of the club were rather untalkative for the most part, and even though they talked a bit more with one another, likely due to the fact that had known each other for longer and were in general more comfortable talking with people who spoke native Japanese, it was for the most part a rather quiet atmosphere, which was not very conducive to me getting in speaking practice.  By far the biggest issue was the language barrier issue, which, especially when it comes to explaining game rules, was a much bigger issue than I had anticipated it being.  There were a couple times when I would ask someone if they could please repeat something, and it was clear that they were a bit frustrated by my not being able to understand the first time.  Again, perhaps over time they might have gotten more comfortable with me and my language skills would have improved to the point where we could communicate more easily, but with the limited time I had and the general untalkativeness of the club members, I would only recommend this club if you absolutely love board games and have the confidence in your language skills enough to play them with Japanese natives.

After much deliberation and some searching of old CIP reports, I decided for the rest of my time here to settle on volunteering at Bazaar Café, a small café very close to Doshisha’s campus.  Prior to joining, I had actually visited this café once with some friends, and the relaxed atmosphere and friendly staff made me encouraged that this would work out much better than my previous CIP choice.  Sure enough, when I showed up the work for the first day, the other staff members were very kind in showing me what to do, and, best of all, they asked me a lot about myself, allowing me to get a good amount of Japanese practice in, while also being able to experience what goes on in the kitchen of a café.  I mentioned before that it was a fairly small and secluded café, and this meant that in general, there was never a big rush in the kitchen, creating a very casual and relaxed mood for me.  In between orders, I was able to chat with the other staff about their lives, and opposed to the game club, there was not nearly as much slang being used, making it much easier for me to understand.  If you have absolutely no idea what you want to do for your CIP in the future, I highly recommend Bazaar Café.  You get to see a bit of how a small café runs from the background, and you might not be getting paid for what you do, but the work is not at all difficult, and the language experience is more than worth it.

Shawn Dinh: Doshisha Shogi Circle

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During my time here in Kyoto, I chose to join Doshisha University’s Shogi Circle for my CIP. The main motivation for joining the Shogi Circle was because I never played Shogi in the past, so I really wanted to learn the rules and strategies of the game. I had heard about it before and that it could be compared to chess, which I do enjoy playing, so I wanted to learn.

All the members of the circle were very friendly and receptive of this complete novice joining them. In my first session, since I did not know the rules, I just observed the other members during their match. Then, one of the members took the time to sit down with me and teach me the rules of the game. Since we only conversed in Japanese and I had never learned the Japanese vocabulary for technical terms in Shogi, it was a bit of a challenge to learn everything, but I got the gist of it and was soon able to properly play the game.

Then, subsequent meetings involved me playing Shogi matches against other members of the club and usually losing. I did not know any of the strategies of the game, so I was not very good, but the members were all very kind when explaining how I should play next time or what types of attacks to look out for when playing. As such, it was great learning how receptive the Japanese members of the club were to a complete beginner, calmly taking the time to help me improve my Shogi skills through our matches and setting up Shogi puzzles/problems for me.

In addition, in between matches I often tried to strike up conversations with the Japanese members about non-Shogi related topics, such as recommendations of things to do in Japan, how they celebrate Halloween (which I asked while in my Halloween costume the day of the circle’s activities), their own experiences traveling abroad, and about the image they had of Americans. One of my purposes for studying abroad was to just connect and learn from many different people and take in a wealth of knowledge and opinions, so I really enjoyed these moments of my CIP.

I really valued the time spent in my CIP at Doshisha University’s Shogi Circle. Not only have I learned how to play Shogi (which I hope to keep practicing and improve even when returning home), but I got the chance to just converse with local Japanese students and learn from their experiences and viewpoints. It was a fun time, and for me, there is no higher praise than that.

Megan Chen: Karate

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I decided to join a karate dojo (Goshonouchi Dojo) this semester for my CIP. I decided on karate because I have been practicing karate for around 13 years of my life and I did not want to get out of shape as well as the fact that the chance to train at a Japanese dojo was very enticing. Goshonouchi Dojo in particular is part of the Japanese Karate Association, of which I am a part of, which essentially means that I can carry over my belt level between Japan and the US.

While there were some hiccups along the way, Goshonouchi Dojo was very welcoming and I enjoyed my time training with them. Before joining, I initially sent an email explaining who I was, my rank, etc. but when I arrived they thought that I was another study abroad student’s friend instead of the person in that email. Eventually the misunderstanding was cleared and I was able to join the more advanced group in their practice.

The only thing different between the beginner and advanced group was the kata (forms) we learned, but it was nice to practice kata that were more on my level. They even taught me a new kata, jion, which was really fun. They also added another kata to the practice list after I asked for it.

For language, I have learned that I still have a lot to learn. While I could sort of understand the people at the dojo, they used very specialized language that I wouldn’t necessarily have learned in class before, so sometimes I had to rely on context and what other people were doing to understand. I also found that my suspicion that karate terms used in the US had definitely had their pronunciation changed a little after it took me four tries to get the sensei to understand what kata I wanted to practice. But in the more normal conversations I did have some of my confidence restored in my ability to understand at least basic Japanese.

For culture, a lot of the more ‘cultural’ aspects of karate I already knew before attending this dojo, so I did not learn a whole lot with regards to karate-specific Japanese culture. However, I did learn that you do pay for class fees and other such fees with envelopes and non-folded money. I was also invited to the dojo’s end of the year party (bonenkai), which I am planning on going to. I’m excited to experience what a bonenkai is like for the first time. Another general cultural thing I learned was that it seems more difficult to make friends in Japan at first because people don’t tend to approach new people/foreigners of their own volition, but if you’re the person to reach out, you should have no trouble at all making new friends. All in all, it was a great experience and I can’t wait to continue training with them.

Lisa Morton: Intern at Misonou Lab

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For my CIP, I was lucky enough to volunteer as a research intern in the Misonou Lab at the Doshisha Graduate School of Brain Sciences. The lab focuses on the cell biology of neurons, specifically the nature of tau proteins and the role they play in the pathology of Alzheimer’s disease. The work being done in Misonou sensei’s lab is fascinating, and it was humbling to get to witness the day-to-day work that (I believe) will amount to life-improving findings. I primarily spent my time assisting two PhD students in the lab, and in them, I feel like I have found not only mentors and role models but true friends. Initially, our relationship was quite professional, but we bonded through the challenges and successes we shared in the lab. At first, I wondered if this bond I felt I shared with them was all in my head. I figured to them, I might be more of a burden than anything — that American intern who doesn’t understand any Japanese scientific terms and gets in the way more than she helps. A few weeks into interning, however, they began inviting me to hang out and explore Kyoto and Osaka on the weekends. Having afternoon tea in Osaka Castle park and admiring a lunar eclipse together with them have got to be some of my most treasured memories from all of KCJS. Misonou sensei once told me that he was excited to have me as an intern because he thought my “American friendliness” might help bring his busy grad students out of their shells. This was immediately hilarious to me as an introverted over-thinker, and I worried that I might let him down somehow. After all, the grad students were undeniably incredibly busy, and at first, were incredibly formal and serious. I now believe this to be less about them having shy personalities or them playing into Japanese social customs and more about the deep respect they have for each other and for the work at hand. This is something I truly admire and will take away with me as I continue my studies in America. Because this respect is something we all mutually shared (and because I may be undermining American stereotypes with my lack of outgoingness), our bond was slow to form but is deep. I am incredibly grateful for this. When I return to America, I hope to stay in touch with everyone in the lab, and even have plans to meet one of the grad students next year at a neuroscience conference!

Jesus Valdez: Ohara Junior High School Assistant English Teacher

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My CIP that I was given an opportunity to involve myself in was as an assistant English teacher as Ohara Junior High school in Ohara, which is 45 minutes north east of the Imadegawa campus. I am currently on my final semester of college and plan to try and go into english teaching in Japan when I graduate, because of this I wanted my CIP to involve some kind of teaching English. Getting into contact with the school was done mainly by the KCJS staff and Senseis so I was very lucky with that and because of that I had a very smooth transition to participating weekly. It was mainly through email and I was by myself for the first half but was joined by Jordan afterwards. The travel was not very bad as there were buses directly to the school from kokusaikaikan and then buses from Ohara to Kyoto station so it was very easy to head there. The travel there was also very worth it as you get to experience the Japanese mountainside which is a amazing experience as the quiet town of Ohara was small beautiful town that had quiet a few temples and amazing landscapes to visit.

My overall experience with the program was amazing. This was a middle school and because of that they had grades 1 through grades 9 there. I was told that I was going to be help teach a different class year each visit from grades 3 to 9. I had to create a self introduction to use for every class, which I constantly updated every visit to try and make it simple and easy as possible since I knew some class’ English was still very simple. The hardest part was trying to figure out and adjust to to how I had to talk when teaching different classes. Some classes I could speak a bit more complex, such as with the 9th grades but with the younger classes I had to throw in Japanese and speak very slowly and simple. I was originally worried about teaching a different class each time as I would not be able to go past self introduction with classes and get more natural experience teaching English in Japan. This however was a non issue a few weeks in. Me and Jordan were invited to stay for 2nd English period, which was always the 9th graders so we started to see them everyday. Because of these I got to experience more natural lessons with Japanese students and how they learned english and because of that I could understand how to help talk with the students as I went to each new class. It was also very fun to get to know the students as some students started to open up more to us as we went each week and talked to us about just random hobbies before and after class.

Every week it was very fun to see how the new classes reacted to us and how each of them was always very excited to see us come and talk to them. This was always  prevalent when I could find hobbies that I knew they also liked. Being able to connect with the students through stuff like games and anime was very exciting. They would always end up asking a lot of questions during class and after class to me that had to do with things they were interested in and how they were in America. They showed a lot of interest and it made it very fun and fulfilling for me.
The one unfortunate part is that you will not be using Japanese very often in this sort of CIP, as many of the teachers and students will always try and talk to you in English for their practice. There were a few times that I had to use Japanese for various reasons in and outside of class but they were few and far between. One of the main things that I got from this program was connections and future advice as I was able to talk to a American teacher that was also a English teacher there at the school. Almost every Japanese school apparently had assistant teachers and because of that you can make very important and close connections with your fellow English and non English teachers there.

Overall, If any future KCJS student has a passing interesting in teaching I would heavily recommend trying to find a CIP that lets you teach English. There are various options depending on how good you are with kids as well as options of private tutoring and public school settings. My opportunity was a very good window into Japanese English teaching for me in the future as I was able to get first hand experience while here and Japan as well as just experience the cultural difference that Japanese schools held. By the later part of the program I saw students before class during lunch and clean up time and they would always great me and ask questions to us, which always made me smile and happy I picked this CIP. Having the opportunity to teach as my CIP was a very great experience that I would recommend anyone else to do if they have interest or are able to, you will not regret it!

Nicole Tong: Kurama Gakai

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For my CIP, I participated in Kurama Gakai, an art circle at Doshisha.

I can’t honestly say that I enjoyed the experience. Since COVID policies dictated that the circle couldn’t reserve meeting rooms in advance, it was necessary to contact the circle the day of in order to find out where it would take place. Out of the four methods I tried (Twitter, LINE, Peing, email), only the last one actually produced an answer. Once I went to two meetings, after missing several, I was able to get the LINE contact of one of the circle’s leaders, and she has been helpfully messaging me where to go. If you are interested in joining Kurama Gakai, I’ve heard that the circumstances will improve starting next semester, but in general I’d recommend joining a circle that has a dedicated club room (BOX).

The meetings last either 1.5 or 3 hours, and are centered around one activity. I had originally picked Kurama Gakai as my CIP because I thought it would be more freeform, and was sorely disappointed – if you’re not looking for structured meetings where everyone is expected to draw the same thing, don’t join. I would say the club activities hit the annoying point of usually being something I don’t particularly want to do – which is a good thing, because it pushes me outside of my comfort zone – but also taking up way too little time – which is a bad thing, because it means I can hardly improve from the experience. All in all, 1.5 hours a week isn’t a lot of investment, but it’s also a paltry amount of drawing time if you actually care about your art but struggle to find opportunities to work on it while cranking out daily Japanese homework and essays.

As for people who want to join so they can talk to Japanese people – I maybe talked for a total of ten minutes across seven weeks.This is probably mostly my fault for being completely socially inept, so I’m sure that those with either adequate social skills or Japanese skills won’t have much trouble as long as you pay for the admission and membership fees.

The earlier you pay your fees, the better. If you wait too long to make your move, you won’t be able to get reimbursed. Participating in a circle, multiple times, without actually becoming a member, just makes you feel like you’re being a burden and freeloading off of the people you’re trying to form friendly relations with. Assumedly it also makes them feel the same way about you, preventing you from joining the circle’s LINE group and leaving you perpetually outside the loop.

In short, I think your enjoyment of your CIP will depend primarily upon your attitude. If you accidentally land a bad CIP, the best thing you can do is to work proactively to change it to a better one, instead of throwing your hands up and accepting your situation because “It’s not really that bad” or “My teachers think I should keep doing it” or “I don’t want to send another email to another club.” Otherwise, you’ll probably regret it.

Owen Hoffer: Doshisha Boxing Club

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My Cip activity was the Doushisha Boxing Club. It met every day except Thursday and Sunday and I would typically go two to three of those days per week. An average day would have around 10 members show up to warm up, light spar, free activity/mit work/running, then wrap up for around one and a half hours total. I have made friends with around five members but am amicable with all of them; this has manifested itself outside of the club as I got food with various members several times already.

As for cultural learnings, I am forced to speak Japanese in order to communicate with everybody there except one. This means I quickly picked up certain language idiosyncrasies that I had not seen outside the club. The manner in which they greet and say goodbye to one another as well as bow out at the end I picked up on quickly to be respectful and fit in. A lot of the boxing members were very interested in American culture but the concept of that culture manifested itself differently depending on who I talked to. For example, the captain really liked American fashion and would often wear older denim with huge flashy belts which he saw as inspired from an American style. I was kind of doing the opposite by trying to make my own style with what I saw around me in Japanese fashion so when he complemented me for my American style, it was somewhat strange at first; from these encounters with the captain, I realized a lot of what people considered cultural identifiers (e.g., clothing) are not in fact the pieces of clothing by themselves, but also who is seen showcasing those identifiers and how they go about doing so. The same could be seen in the club’s fascination with American rap music. Some members of the club called me over when rapper Takeoff died recently to ask me about it; this and asking me which “zone” of Chicago I was from were questions I found kind of funny, but at the same time were indicative of a phenomena present in the States but not quite as visible. That being an interest in some form of cultural association through representation; in this case the association with being tough or a killer and rap music the people in the club can’t even understand the content of the song. That just by knowing the association, the song instills some form of feeling that helps them perform better.

Finally, the club helped a lot for my language learning. Not only did having to use Japanese at all to communicate force me to improve, but the getting out of my comfort zone helped in other aspects of language learning as well such as talking to strangers and having more things I can talk about. I Had a lot of fun in this club and am so glad I had the opportunity to learn together with such nice people.

Anne Wen: Yosakoi Traditional Dance, Fly Dance Studio, Kyoto Student Impact (Christian Group)

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I joined three different activities to fulfill my community involvement project, in part because each project lasted shorter than I expected and the circles in Japan had eligibility constraints. For starters, I spent two weeks practicing with Doshisha University’s Yosakoi traditional dance group. The practices culminated in a Yosakoi dance festival in Osaka, which later turned into one of my favorite memories in Japan because we performed three times, and I was the only non-Japanese person among a group of 40 Japanese students. Attempting to speak Japanese, given my second year language abilities, was challenging, but the awkwardness forced me to study the language even more. I also found a few Japanese allies who were crucial to learning the choreography and reading Japanese festival instructions. For Yosakoi practice, I went to the Kamogawa River twice a week and rehearsed for three hours. Beyond the dance steps themselves, I learned about the nuances of Japanese circle rules. For instance, Japanese students were extremely punctual, schedules were outlined down to the last second on Excel sheets, and many people wanted to speak with foreigners but worried that they lacked language skills. For future KCJS students, I’d recommend trying your best to find Doshisha university circles. I googled most organizations and expanded my search to Kyoto University affiliates, randomly emailing any address that I could find. I emailed seven different groups, nearly forgot which ones I emailed, and heard back three weeks later about the Yosakoi group. Though the effort was challenging at the start, interacting exclusively with Japanese people without international students to help you can make you grow as a person.

I also attended private lessons at Fly Dance Studio in Shijo. Given my lack of dancing experience, I worried that I’d be an awkward duck flailing my arms, but the teachers were super nice, and most of the students there didn’t consistently come to any one practice. Instead, students varied from week to week, and the studio’s EASY set one-month package ensured that I could show up to any class, any time of the week. Most of the classes hovered around dinner time, so I’d go once or twice a week and attend either their beginner or ultra-beginner hip hop and K-pop dance classes. For students worried about feeling awkward the first time, I’d drag a friend along and exercise together, then attend the next few sessions alone. A first once told me a mantra that I try to repeat: If you can talk, you can sing, and if you can walk, you can dance. Since I’m leaving the country after one semester, I didn’t feel as bad if I made dance choreography mistakes, and also knew that many of the teachers appreciated having more students because it created more energy. Plus, the chance to dance off all the gyoza I ate in the city was necessary, given that I don’t hit the gym.

Temporarily I attended one practice for ASH, a k-pop dance group, but the members weren’t super welcoming, so I spent my last few weeks working with Kyoto Student Impact, a Christian group in the city that’s unaffiliated with Doshisha University. I don’t think the ASH dance group members meant to be rude, but my lack of Japanese fluency proved hard to communicate with local students, and they rarely held practices, so the chance to meet friends was extra hard. Instead, through Kyoto Student Impact, which I found through the Mustard Seed Church that I attended, I met students once or twice a week and engaged in social activities. I went bowling in Japan, had a worshipping session, and as of this writing, will soon attend an international Thanksgiving feast in a country that hardly celebrates this November holiday. The experience with student impact surprised me for a variety of reasons, two of them being that Christianity is hardly practiced in this Shinto/Buddhist-dominated country and I hadn’t expected to attend church. Fortunately, it felt refreshing to practice my religion in a foreign country, and I wanted to speak English a few times, even though the goal of studying abroad was to learn Japanese. Having even a few international friends or Japanese speakers who spoke fluent English ensured that I could compare cross-cultural conversations and engage in deeper conversations. Also, church proved to be a consistent place where I could find friends and have deeper connections over a shared religion, so I resumed my religious practices.

Some tips for future KCJS students, since I found my project activities largely through reading past blog posts:

  1. Don’t email or Instagram DM one or two groups; hit more. I started by contacting seven groups, and two of them eventually got back to me three weeks later. You want to cast your net wide, and don’t worry if you don’t hear back since it’s nothing personal. Also, most groups have eligibility requirements. For instance, my Yosakoi traditional dance group didn’t allow foreign students because they wanted to recruit Japanese freshmen and sophomores for a full year. When I reached out to them, they only wanted international students for one specific festival, and though the experience was short, I still learned a ton of new Kansai dialect slang.
  2. Don’t chicken out of going to a project. As cliche as it sounds, feeling uncomfortable means you’re growing. There were multiple times when I felt awkward in all-Japanese spaces, and one time, I arrived at a practice location and wanted to turn around, for fear of awkwardness. Your first few times at a project won’t be the easiest, but over time, the more conversations you have, the better your experience will be. When you don’t know what to say to Japanese students, ask questions and pull the “gaijin card,” aka ask about anything on your mind because you’re a foreigner and confusion feels justified.
  3. It’s okay to change your projects, even multiple times. I hopped around different projects and felt that each one of them taught me something different. For instance, the Yosakoi dance organization taught me about language immersion and the international Christian group reminded me about the comfort of speaking in my native tongue. Given the number of people that you can meet in Kyoto, don’t worry you won’t make friends. Sometimes, even in Japanese spaces, you’ll meet many internationals. At my Christian group, most people I met hailed from foreign countries like Indonesia and China, and I’ve had fun exchanging cross-cultural talks with them.