Jamal Tulimat: Klexon

For my CIP activity, I participated in Kyoto International Club Klexon, a conversational club where English speakers come to speak with Japanese participants who would like to practice their English. The club met once almost every week from 7 to 9 PM at the Wings Kyoto Center. The two hours were split into parts; for the first one, I usually got a new partner every ten minutes in a way similar to speed dating, where I talked with them about anything ranging from our daily lives to our opinions on recent political developments. For the second hour, several Japanese participants and I made a group of five to six, where we got to speak in a way similar to friends on a group outing. Although we were usually given topics to talk about, I found it more helpful to talk about things that often come up in conversations to help the Japanese participants improve their English.

Participating in Klexon was a great opportunity to make native Japanese friends and feel more like I’m participating in the community. I was a bit sad at the beginning thinking that I was not going to get much of an opportunity to practice my Japanese, but luckily after the first week, I got to go to the local bar with newly made Klexon friends where I spoke with them in Japanese while sharing a nice drink. After immersing myself more in the club, I began to think of Klexon as more of a social place where one meets friends rather than a place where one comes to do work. The more I participated in Klexon, the more I bonded with friends I made there. Eventually, several KCJS student participants and I got to make a group chat with our Klexon friends where we scheduled meet ups and outings on some weekends. On one Saturday, we all got together and went to the Kyoto Shibori Museum where we learned different dying techniques before we each got to dye our own scarf in wonderful patterns and colors.

Even though English is my second language while Japanese is my fourth, participating in Klexon really helped me understand my progress in Japanese, further showing me what I needed to focus on to get better. For example, after seeing where Japanese people commonly made mistakes, I was able to reflect on expressions that were difficult to say since they did not translate between the two languages very well.

Needless to stay, Klexon was a significant part of my study abroad and language study and I’d recommend it to anyone who is willing to go out of their comfort zone to make friends. My tip is – if you want to get to know someone, ask for their LINE! It’s easy and most people will say yes. Klexon is really the experience that you make out of it!

Derek Hong: Ritsumeikan Wadaiko DON

For my CIP, I participated in Wadaiko DON.  Wadaiko DON is a student-run taiko circle at Ritsumeikan University.  At my home university in the US, I am a part of a taiko club run by Brown and RISD students called Gendo Taiko, and I wanted to see how a wadaiko circle as run by students in Japan differs from a taiko club run by students in the US.

My initial contact with the club was difficult since I was still getting used to having full conversations in Japanese.  However, the students in the club were welcoming and readily willing to let me participate.  The amount of time I needed to put into my CIP was a little higher than usual since practice was usually twice a week for at least an hour, but I was determined to try and participate as much as I could.  During practice, I had to quickly get comfortable using plain forms and, more importantly, using casual speech.  In the end, even though I’m still not fluent in casual speech, I was able to hear how the friends talked to each other and gave instruction.

It is a bit regrettable that my time in the taiko group was so short and that I needed to commute far to participate.  It made it difficult to spend enough time with them to really practice my Japanese and get a sense of how they are outside of the taiko circle setting.  That said, I think it was a great insight into how student circles are run in Japan.  For the most part, there are a lot of similarities between Wadaiko DON and Gendo Taiko.  We are both student run groups, we both practice together as a group, and we play many of the same styles.  Further, like Gendo Taiko, many of the Wadaiko DON members started taiko only after entering the circle.  As for differences, Wadaiko DON is about twice the size of Gendo Taiko and, as such, they are able to perform at a much higher potential level.  For each performance, they hold auditions to decide who can participate.

On the whole, I’m very glad that I was able to participate and be accepted into a Japanese university student group, especially one that concerns taiko.  Wadaiko DON performs at a very high level, and I am very thankful to be able to have seen their mainstage performance, participate in regular practice, and perform in the Takase-gawa Sakura Matsuri (pictures and videos below).  The Wadaiko DON members were extremely welcoming and helpful even when I didn’t quickly understand their instruction.  Even though the language barrier made it difficult to interact smoothly with the groups usual happenings, this was a unique experience that could only have happened during my study abroad.  I am especially glad to have participated in the Takase-gawa Sakura Matsuri, during which I was able to see the carrying of the Mikoshi from the perspective of the parade that went down Teramachi-dōri.  It was a unique perspective on Japanese life and the continuation of tradition.

On the day of the Matsuri, the weather was sunny and warm, and the sakura blossoms were just beginning to lose their petals.  As the wind swept through the trees, the petals flew up and floated down gently, breezing in the background of the crowded streets.  Even though it was my first sakura matsuri, I had the feeling that it was a picture perfect representation of what sakura matsuri could be.  People of all ages attended, from the elderly who came to experience the annual matsuri once again to the children who are sure to have made fond memories.  Anyone can participate in the carrying of the mikoshi (“portable shrine”, although its significance is far deeper than the English translation would make it seem) throughout the streets and, within the large group of mikoshi carriers, there was a strong sense of community and participation in tradition.  As the large parade processed through Teramachi-dōri Shōtengai and the narrow streets adjacent to it, onlookers came out to see this once-a-year event.  The spot of the festival, the Former Rissei Elementary School, seems to have been particularly chosen because of its long history.  At the taiko performance, a woman danced among the taiko players.  Although out of the ordinary, it seemed like she and her family had attended the Rissei Elementary School before it was decommissioned and that she was moved to the point of dance by the once-again lively atmosphere of the school.  Instead of letting the building fall into disuse and be forgotten, the matsuri brings life to the location.  Although the Takase-gawa Sakura Matsuri is only in its 38th year, the tradition of matsuri goes far back in Japanese history.  Even though it was my first matsuri, I felt like there was deep significance in the passing of cultural memories through events like this.

I hope to bring these new perspectives on taiko and matsuri back to Gendo Taiko and try to inform the way we put on matsuri in our own communities half-way across the world on the East Coast.

第38回高瀬川桜祭り 神輿

三宅太鼓

Khanh Ta: FBI Filmmaking Circle & Kyotographie

For my CIP this semester, I decided to continue the CIP that I previously did during the fall, which is my filmmaking club at Doshisha University. Even though during the spring, Doshisha students have spring vacation from February until April, FBI club still has a lot of filming activities depending on the projects and students. Hence, one of the club members that I am close to actually invited me to join the shoots for her project during this time, so I was able to continue with this activity. I suppose, similar to how many student film projects in America are very network based, here too at Doshisha and Japan at large, film is also a network based domain.

Since shooting schedule is very irregular, there are weeks when I don’t have CIP participation. However, there are also weeks where we meet 2-3 times a week for around 4-5 hours in order to film the many scenes required for the project. Sometimes, shoot schedules are also adjusted based on the weather; especially, Kyoto often snows a lot during spring, so we had to reschedule twice. Our roles also vary depending on the day of the shoot; every member always want to try new responsibilities during a film shoot, so sometimes our roles are exchanged between one another. This is quite different from the US, since our roles are often decided during the pre-production stage, and people usually stick to that role throughout the entire project rather than changing it up day by day.

As aforementioned, since FBI doesn’t meet as regularly during the spring, I decided to join another activity as well for my CIP, called Kyotographie. Through a friend I met on the internet who is currently working at this company (a media editorial agency), I was introduced to Kyotographie. The company is currently organizing for an international photography festival in Kyoto, and they need volunteer help, so I decided to join as well as introduce it to my friend from E class, Kasey Huang. The fact that I was able to find a volunteering job to apply for and even introduce my friend to it really reminds me of networking experience in America as well. Originally, I wasn’t sure of how networking is like in Japan, but this experience proves to me that it is actually very much the same.

At Kyotographie, I get to utilize some of my advertising and communication skills from my actual major, combined along with Japanese, for work. From trying to connect the company to many different local universities in Kyoto to trying to expose the festival and events to many Japanese media outlets and students alike, these experiences allow me to do what I usually do best in English, only now in Japanese. At first, I was originally afraid that my Japanese wasn’t good enough to be used in the work place. However, considering this is a very international company, many people use both Japanese and English; while everything is mostly spoken in Japanese, many technical PR, advertising or art terms are in English, so I was able to do my work just fine. Thus, I feel that this volunteer is a great stepping stone for me to prepare myself for the workforce later if I manage to get a job and live in Japan.

In general, for those looking for CIP, my advice for future students is that having around two or more CIP experiences during the spring would be ideal. This is because even if your CIP are guaranteed to meet, you’re not guaranteed to meet as regularly as the fall semester.

Xiaoxi Wu: KU Amateur Dance Club

During my stay in Kyoto I participated in the activities of Kyoto University Dance Club (社交ダンス), where I managed to immerse myself into a Japanese college club vibe. Since I’d never danced even a single time before attending the club, I was quite nervous on the first day, and found myself just as clumsy as I expected at the dance practice. Yet learning to dance is not the point of joining a dance club in Kyoto; rather, it was to interact with my Japanese peers on a regular basis so that we both could serve as かけ橋 through which we were able to understand each other’s cultural background better.

The Dance Club holds activities as often as 3 times a week. Each time lasts for 3 hours. I tried to commit as much as possible to the club activities, but I was also busy with schoolwork, so I often ended up going once or twice a week. One thing I found interesting though was the fact that the club claims to have between 20 to 30 members who have signed up for club activities, but almost every single time only those 6 or 7 same members showed up. Occasionally we would be lucky to have others join us but that was pretty rare. One of the club members told me that this phenomenon is quite common among Japanese university circles, where you would expect some members to regularly show up and become the core of the circles while others who rarely show up are labelled ‘ghost members’ (幽霊部員). I’m glad that I didn’t become one of the ghosts.

During the 3 hours of club activity we would practice different forms of 社交ダンス such as Tango, Waltz, and Samba, although I still have difficulties even now in distinguishing them from each other. To be frank, dancing is not my thing, but thanks to the warm-heartedness of my Japanese peers I was able to enjoy the activity sessions as much as I could. They knew I had never had experiences in ballroom dance and my Japanese wasn’t that good, so they treated me with patience and taught me step by step. Although more often than not I still ended up messing up with everything, I do not regret joining the Dance Club, because other members regarded me as a normal, functioning member of the club too. The opportunities to interact with Japanese peers are absolutely the most valuable experiences I’ve had so far. Therefore I highly recommend the KU Amateur Dance Club even if dance is not your thing, and on a side note I’m pretty skeptical that someone is actually worse than me at dancing.

Charlie Tran: Klexon

During my time at KCJS, I participated in a Japanese-English Conversation program called Klexon. Klexon is similar to speed dating. People sit in rows facing each other, and then talk for ten minutes until they have to switch partners. After about 6 cycles, everyone is randomly placed into groups and group conversation begins. A piece of paper with the week’s topic of conversation is handed out at the beginning of the session. However, one does not need to talk about the conversation on the sheet; Klexon is basically free conversation.

In Klexon, I noticed that most Japanese people are learning English because they believe it is a necessity for their job, so their motivation to learn is quite high. Also, since they know that this is a conversation program, I feel the Japanese people in this program are more comfortable with talking to foreigners and generally are not as shy as Japanese people outside of the program. Therefore, there is no need to have worries about conversing because they are quite easy to talk to.

Although KCJS is a program to learn Japanese and Klexon is a program to help Japanese people speak English, I chose Klexon with special purposes in mind. Those purposes were to learn more about Japanese culture from different perspectives, to make Japanese friends, and learn more Japanese from them. During the program sessions, you can talk about anything with the Japanese people, so I took this liberty to ask them about Japanese culture that couldn’t be learned about in a class or in a book. For example, I learned about different dialects around Japan and popular slang Japanese people were using. At the end of the program, I would invite the people I was paired up with to go out drinking at a bar or an izakaya. This was a great way to strengthen our bonds and become friends. Also, we would speak in Japanese, so I was able to practice my Japanese conversation quite a lot. I highly recommend choosing Klexon as a CIP because it is fun, you can learn a lot, and most of all, make many Japanese friends.

Kanoa Mendenhall: Jazz Bass

Although I initially wanted to explore and try a new activity, I continued playing jazz bass (my line of work back in America) for my CIP here in Kyoto and Osaka. It has been a wonderful experience being able to participate in the Kansai jazz scene while at KCJS this spring semester.

As all jazz musicians do to get introduced to the local scene, I started off by going to a jam session in the area in order to meet local musicians. This was one of the main objectives of my CIP – to continue going to a regular session that had other members consistently participating.

The first session I attended was a weekly jam hosted by Kyoto University’s student-run jazz circle. The sessions were how typical jazz jam sessions go; a newly fused band collectively chose standards from the Great American Songbook and improvised on these tunes. Students from KyoDai as well as students from additional neighboring universities were involved in these sessions. Getting to know these students from various areas eventually led to participation in other jam sessions at other universities and venues.

As the semester progressed, not only did I get to know fellow musicians my age, but also people from a wide age range who shared a similar passion for jazz. Meeting people from different backgrounds and generations allowed me to practice my keigo and respectful expressions a fair bit. In addition, I had to do quite a lot of writing/messaging to people who I had just met at each session, which was good practice.

One aspect that varied a bit from gatherings in America was the formality, such as saying よろしくお願いします to all of the other members on the bandstand without fail before playing each tune (at jam sessions). This surprised me quite a bit at first, and was a shock compared to the cold, cutthroat atmosphere of New York jam sessions. Also, it has been confusing to decipher the distance between musicians and when to use honorifics. The jazz scene in Japan is unique in the case where numerous musicians have studied or lived in America, therefore demonstrating the vibe and casual approach of American jazz musicians (slang, handshakes, affirmative shouts during performance, etc.), yet there are still limits to how close you can get to a person, especially if there is a rank/age difference. I once called a club owner (who lived in New York for multiple years, knows jazz culture well) that I thought I had established a firm connection with (after multiple casual interactions) by their first name, and they reacted quite hostilely. It took some time getting used to, but overall I found that musicians in the Kansai area are friendlier and supportive of each other, which I wish there was more of in New York City.

These jam sessions ultimately lead to a few performances in formal settings, called by members I met at jam sessions such as the one at Kyoto University. The performances typically involved rehearsals and preparation beforehand, and involved some energy and time. Nevertheless, they were highly rewarding, and I’m especially grateful to the teachers and friends from KCJS who came to my gigs. Continuing music while in Kyoto was one of the highlights of my study abroad experience, and has provided much joy and language practice as well as career connections that are sure to be useful in the future. There were some language barriers at times, but music, especially jazz, is a language and mode of communication itself.

Logan Cody: Klexon

For my Community Involvement Project I participated in Klexon – an English conversation club. Every Tuesday I would meet for two hours in the Wings Gender Equality Center with other KCJS members and other native English Speakers living in the city, to talk with Japanese college students and workers in order to help them practice their English speaking abilities. For the first hour of the meetings, I would talk in one-on-one sessions with the Japanese club members – discussing anything from their jobs to their opinions on recent political developments. Then in the second hour, I would talk in groups of five to six people in order to practice group speaking abilities with them. The club would offer prompts and possible topics of conversation, but I found that most of the Japanese participants were happy to elect their own topics of conversation, and usually wanted to discuss broad cultural differences between Japan and the US, or grammatical novelties between Japanese and English. As I became closer friends with different members of the club, I began to join them for food and drinks after the meetings or at Karaoke parties on the weekend.

Through my continuing interactions with the Klexon group, in and out of the weekly meetings, I feel that I was truly able to integrate into, and participate in, Japanese social activities and functions. Furthermore, in helping to teach English to Japanese people I was better able to understand my progress with my own language studies: for example, it seems a lot of the Klexon members use the word “maybe” more often than what would be considered natural in English (eg. “Maybe, my job is working in finance”). My assumption is that this over-usage stems from learners attempting to directly translate certain phrases from their native tongue into their target language – which is probably a mistake that I make as well in my own language studies (ie. trying to convert head-first English phrasing/idioms into Japanese, instead of solely relying on the set head-last grammatical formations of the language). I also found that simply speaking to a large number of Japanese students and workers allowed for many fascinating insights into people’s opinions about food, and clothing, and history, and politics. A particularly interesting example would be my conversations with a member of Japan’s Self-Defense Force: I was able to learn about his daily work, and about how most Japanese citizens look down upon those who join the SDF.

As for my advice to future students, I can’t stress enough how important it is to get a Line! Everyone here uses Line, and it’s just such an easy way to make friends quickly. After a meeting, if you have even the slightest interest in being friends with someone, I’d highly recommend trading Line account information. And then afterwards, even if you don’t text them, the likelihood that they text you and ask to hangout is very high. There’s practically no work involved at all! And getting to meet Japanese people and hang out outside of the CIP activities is such a wonderful opportunity to make friends, to speak more Japanese, and to learn more about Japanese culture and life.

Allison Capron: Klexon

For my CIP, I participated in an English-speaking circle called Klexon. Klexon took place every Tuesday from 7-9pm. Through this CIP, I was able to speak to college students and working people. The first hour consisted of 10 minute talks with 6 people, and the second hour involved group conversations.

I had a few observations during my time at Klexon. Most Japanese people studied English for work purpose or in order to gain a better advantage for job hunting. One interesting reason I heard for studying English was for talking with people at concerts. One person said he enjoyed metal music and wanted to learn English so that he could go to concerts and talk with other people. Another observation I had was that when I asked people where they want to go abroad, they usually said Canada or Australia. I thought it was interesting that many did not say America. One girl said she did not like New York because it was too loud, crowded, and dirty. Also, many Japanese people were courageous and wanted to speak with foreigners fluent in English. When some people learned that I would be returning to America, they would be disappointed because they wanted more chances to speak with foreigners.

While I initially hated Klexon because of the late meeting time, I became good friends with this one Japanese girl so I became more appreciative of Klexon. We went to Higashiyama together, rented kimonos and walked around in Arashiyama, and ate delicious foods. Overall, Klexon was a fun experience and I had the opportunity to learn more about the culture and engage in various conversations.

Cassie Rodriguez: Klexon

The CIP I have chosen this semester is a circle dedicated to helping Japanese people improve their English skills. Most of the people who participate come from a wide variety of backgrounds, and I have been able to talk with college students my age, people interested in living or working abroad, people who study English just as a hobby, and even a member of Japan’s Self Defense Forces. One of the most rewarding things about participating in this circle is that you have the opportunity to meet people who understand exactly what it is like to study a difficult foreign language, so communication is not that difficult as we share similar experiences. Sometimes, depending on the level of English that my conversation partner has, I often offer explanations in Japanese, which helps both my language skills and helps deepen the understanding of my conversation partner.

Because KCJS students are required to keep a CIP log and come up with small tasks for ourselves, I feel like participating in this circle has been really useful. For example, each week I set a goal for myself to participate in activities outside of the circle so I would be able to practice my Japanese and also make new friends. Each week I gave myself a small goal to complete that eventually led to me hanging out with some of the friends I made in the circle “outside of class,” so to speak. Funnily enough, even though many of the Japanese people try hard to practice English, most of the time outside of the circle we only speak Japanese, which has been actually really good practice. All in all, I’m glad that I have been able to participate in this circle because it has helped me accomplish my primary goal that I set before starting the KCJS program: becoming more comfortable with expressing myself in Japanese.

Esja Staggs: Calligraphy Club

Before coming to Japan, one of my goals for my time abroad was to learn 書道, and so I decided to attempt to join the Doshisha calligraphy club. Unfortunately, the Doshisha calligraphy club did not meet until the beginning of their semester, and so it was impossible to actually start my CIP until well into October. Moreover, since I reached out to the club officers via email, it was extremely difficult to maintain contact and decide on a time that I could participate in their meetings. Eventually, however, I was able to meet with one of the club officers, who then lead me to the clubroom at the Shinmachi campus. Before entering the room, it was necessary to first knock, and then say 失礼します while opening the door. Although I did not speak directly to many of the other club members, I would overhear their conversations while I practiced. Particularly, I noticed the level of formality and/or informality of the conversations, as well as the use of Kansai-ben and colloquial speech. As 書道 is by its very nature a quiet activity, I did not speak to anyone in the room besides the club member that was assisting me for the day. Consequently, most of my observations pertaining to culture and language were vicarious. Although I still do not know the names of any of the 部員 that have gone out of their way to sit with me for well over an hour and (arguably in vain) teach me how to write characters that they learned as schoolchildren, I am extremely grateful that they allowed a 留学生 such as myself to take up their time and resources.