今学期は京都大学の合唱団に参加させて頂いてます。先学期はアカペラのサークルに入ろうとしたんですが、バンドのメンバーがなかなか纏らないまま学期が終わってしまった為、今学期は合唱団に入ることにしました。京大の合唱団は全体的に混声の合唱でありながら、実際に男性も女性も混ぜた練習は週に一回しか行われません。女性の場合、練習は週に二回行われ、水曜日が混声練習で、金曜日が女声練習です。混声でやる曲と女声でやる曲はそれぞれに違う為、色々な曲が歌えるので私は結構好きです。

練習は夕方の6:15から行われますが、ほとんどのメンバー達は少し早めに来て、色々話をしたり、歌ったりします。女声の日でも、男性も同じ建物で練習するので、練習の一番初めに歌う「愛唱曲」は普段男女揃って歌っています。「愛唱曲」を歌ってから、パートに分かれて体操をします（因みに私はソプラノです）。体操は結構徹底したもので、最初はちょっとびっくりしました。体操の後は声のウォームアップで、それが終わってからやっと正式な練習に入ります。練習の途中でパートから全メンバーで練習するのに変わり、パートずつで新しく習ったところを合わせて歌います。練習が一段落してから、お知らせや発表などをしたり、ボックスを掃除したりします。その後もまた「愛唱曲」を歌います。練習は正式には8:15に終わることになっていますが、実際には9:30まで続くことが多いです。

メンバーが全員本当にいい人達で、すぐ受けてくれたことが非常に嬉しかったです。練習の流れで私の知らない日本語が出て来るたびに親切に説明してくれるし、練習以外に色々なイベントに誘ってくれたりもします。今練習している曲の発表会が私が帰国する数日後の為、一緒に歌えないけど、とにかく、私は皆さんと練習できて嬉しいです。残りの二ヶ月間、京大合唱団のメンバーとして全力を尽くします！

ぼくのCIPは囲碁を打つことだ。囲碁というのは伝統的な日本のゲームだ。中国から来たが、日本でも人気だ。僕は三年前、アメリカで習った。打ち始めた時から、いつか日本で打ちたいと思っていた。アメリカで囲碁はそんなに人気じゃないから、日本に早く来たかった。しかし、今は春休みだから、大学のサークルはあまり活動ない。

運良く、京都の囲碁サロンは活動があった。からすまおいけに近いサロンに時々行く。毎週一回７００円払って、サロンに入る。大半はお年寄りだが、いつも僕にやさしい。僕は若い外国人だから、いつもじろじろ見られる。でも、同志社の大学生もいて、友達になった。

囲碁を打つ時に、相手の年は重要じゃない。石を打つと、相手の性格が見える。終わったら、相手と試合について話すことは普通で、相手の日本語が分からないときも時々あるが、それほど困らない。

サロンには普通の人以外に、プロもいる。ちょっと高いが、プロと打つと、早く強くなる。あるプロと打ったことがある。とても強くて、その先生の忠告はとても役に立つ。囲碁の打ち方を習う以外に、打ち終わったらその先生と試合を勉強することは僕の日本語の勉強にもなっている。

KCJS Fall 2011

Community Involvement Project, Blog Entry 2

The photograph on my desktop “beneath” the empty white and mocking blue of the word processor shows Mount Fuji flanked in the foreground by the foothills of the Minami Alps.  I had gotten up at 4 in the morning, packed away my frozen tent, and stumbled sleepily to the summit of Kita Dake in time to take it just as the sun came up.  Looking at it helps me to escape, in some sense, the confines of my room when work pins me to my desk, although in terms of air temperature my room and the second highest peak of Japan at sunrise in late fall are not such different places (and I’m wearing the same cozy socks now as I was then).  This brings me closer to the point of this exposition: to reflect on my experiences in the Doshisha Alpine Club.  That trip was not, in fact, one of the club’s, but it may as well have been.  If Doshisha University’s fall break was aligned with that if my study abroad program, perhaps it could have been.

Every Thursday for the past ten weeks, I have commuted by train to practice rock climbing with two other members of the Doshisha Alpine club.  A number of factors have conspired to prevent me from participating as much as I might like to: the commute is long enough that I can’t really afford to go more than once a week, my Japanese doesn’t allow me to say simple but important things like “don’t put your weight on the rope yet or you’ll fall to your death, I haven’t finished the anchor” or to understand the same, and because I’m not a true Doshisha student I don’t have the insurance policy I need to participate in outdoor activities.  So I haven’t been attending the weekend alpine climbing training sessions that this club holds in place of the drinking sessions that I hear comprise the weekend itineraries of other clubs, nor will I go on their winter climbing expeditions next week.  Incidentally, that expedition doesn’t line up with my vacation time either, and miscommunications in 100km/hr ice-laced winds are bad enough even when everybody speaks the same language.

In spite of these obstacles and the condition of quasi-membership they impose, I’m going to miss the two people I rock climb with every Thursday, and I think to some extent they’ll miss me.  One might think that the fact that every Thursday we trust each other’s belay to prevent lethal (or paralyzing, or maiming…) falls has brought us together, but we exercised this trust without much thought from the very first day, and the first few sessions had a rather awkward and formal social character, so I don’t think this has much influence.  My relationship with the two other Thursday-afternoon-rock-climbing-practitioners has progressed in the same manner as an ordinary friendship, with common interests and shared activities doing battle with an exceptionally stiff language barrier.  I humbly assume all responsibility for communication failures while in Japan, but the other person’s speed has a tremendous influence and I can still hardly understand anything my climbing partner says.  It’s a testament to the strength of unspoken communication that we’ve come to understand something about each other’s character without ever really hearing any of each other’s ideas.

Is this alpine club here in Japan different from the one at Cornell?  Well, Cornell University is located a solid 6 hour plane ride away from anything I would call “alpine”, so we don’t have an alpine club in the true sense of the word, but we do have a university funded outdoor club that offers PE courses in everything from canoeing to ice climbing.  The more I think about their official structure and composition, the less I can justify drawing comparisons between the two institutions, but ultimately they both represent groups of people who spend time together outside.  The senpai-kohai relationships evident in the speech patterns of Japanese club members struck me at first as evidence of the presence of a hierarchy completely absent in the American club model.  Ultimately, beyond dictating which verb-forms are appropriate for whom, and fostering self-introductions that include what this American student finds to be an awkward and unnecessary mention of what year student what is, these relationships don’t seem to have too much influence.  So I suppose an alpine club is an alpine club, Japan or America (unless it isn’t).

I’ve gotten somewhere, or at least consumed some of that taunting white space.  Now I’ll press save, put away this awful blue, and go back to gazing at the sea of clouds to which Fuji is an island, a distant perfect lonely cone of rock.

The thing that struck me most about the entire C.I.P. initiative was, ironically, just how difficult it was to initiate. In fact, the one aspect of it that left the biggest impression on me was that it is exceedingly difficult to integrate oneself into the flow of normal Japanese university life as an exchange student residing in an entirely different flow.

My initial difficulty stemmed from the fact that I had to wait for the end of the Dōshisha University summer holiday before I received word from the circle that I had contacted – an a cappella circle called ONE VOICES based on the main Kyōtanabe campus. When I finally did manage to arrange a meeting, I quickly learned that speaking the same language does not guarantee mutual understanding. I misinterpreted the intended meeting time, and almost went home before both I and my contact realized our miscommunication and I turned around.

The second thing that surprised me was the group dynamic within the circle. My contact, who was in charge of member recruitment, immediately insisted I called her Yū-min – an extremely familiar nickname. I was even more surprised to observe that all of the club members I met or was introduced to also call her by her nickname, regardless of whether said member were her sempai or kohai. This dynamic is made more unusual by the break-down of the circle. The largest a cappella circle on campus, ONE VOICES consists of over 200 members organized into “bands” of 6, based on musical interest. This means that many members of the circle meet only on rare occasions for circle-wide events. Yū-min, as the coordinator, was familiar with almost everybody, however, interactions between members of different bands ranged from extremely informal to highly traditional, with rules of seniority being strictly observed. My general impression was that this complicated mixing of differing levels of formality between sub-groups and individuals is a far more truthful representation of group dynamics than the stark, hard-and-fast rules of propriety we are taught in class.

Another factor of this 6-member band structure was that, until five other members presented themselves (actually four, as there was another prospective member touring with me), I was unable to formally start taking part in club activities. This became the biggest obstacle for me and was ultimately why I had to shift what I had been using as my “supplementary C.I.P.” activities (with Kyōto University’s KIXS international circle) to be my main C.I.P., whereas my contact with the Dōshisha a cappella circle was relegated to the “supplementary” spot. I confess I was surprised at how strictly the members stuck to the “6 person rule.” I can’t speak for everyone, but in my experience, American university students might be more inclined to temporarily (or even permanently) allow the formation of a 7 member group, or come up with some other solution in such a case. That is not to say that one is better than the other – simply that they are different.

Were KCJS run on the Japanese academic calendar (which would be exceedingly difficult to reconcile with our lives and schedules back home), I personally think it would be easier to integrate into everyday university life. Despite the fact that in the end I was unable to really join the group due to logistical issues, I still feel like I learned a great deal from the contact I did have with its members, both in person and via text messaging. I was pleasantly surprised by the extremely warm welcome I received – by the end of the first day I had been given a nickname, invited to have dinner and to visit Yū-min at her part-time job, and even asked if I was half Japanese (which I found funny seeing as I’m very obviously Caucasian). I was struck by the level of casual friendliness and openness with which I was welcomed into the group, which as I understand is not a given. It was possibly the first time since coming to Japan that I truly did not feel my “foreignness,” mainly because they did not seem overly concerned by it. All in all, although it did not become my regular C.I.P., I found what contact I did have with the circle both educational and fun, for lack of a better word. I hope to keep in touch with the people I met there for the remainder of my stay in Japan.

こんにちは皆さん！今日は私のC.I.P.を皆さんに紹介させて頂きたいと思いますので、宜しくお願いしますね！

私は同志社大学の京田辺キャンパスで活躍を行っている「One Voices」というアカペラサークルに参加させて頂いてます。分からない人もいるかもしれないので、一応アカペラについて簡単に説明します。｢アカペラ」はコーラスに似ていますが、特徴は伴奏(アカンパニメント）がないことです。その代わり、ハーモニーなどは全て声で作っています。

「One Voices」には200名も参加していますが、6人ずつのバンドの集合体です。曲はバンドのメンバーで決めて、練習して、演奏しているから、とても個人的で楽で楽しいです。練習は週に一回で、日にちはバンドによります。その中の50分間の間に音響装置を利用できます。

バンドは6人ずつとはいえ、よくバンド全員で集まってイベントを行っています。今月の26~28日に色々なバンドが京田辺で演奏会を開きますので、良かったらぜひ聴きに来てください！