My CIP was learning the koto with Iwasaki-sensei. Christine (who was learning the shamisen instead) and I would go to her place every Monday, where we would have about an hour or so of learning our instruments along with the other students. The other students were all older ladies and two gentlemen (one of which was Iwasaki-sensei’s husband), who I feel like would have become like grandmother/father figures for me, if I had had the chance to stay longer. The atmosphere was fun and lively, and the others would often crack jokes and tell funny stories. The actual learning process helped to encourage a rapport between the others, as sensei liked to teach by doing; therefore, my first day in, I had already started to play the opening lines of Sakura. Unfortunately, because the koto is such a large instrument, I could not bring it back home in order to practice, but I think the bonds I formed with the others were more of a priority anyway, and way more worthwhile.

​After our lesson, sensei and her husband would treat us all to dinner. I remember feeling very awkward the first night when we went to ChaoChao Gyoza – it had only been my second lesson, so I still didn’t know anyone very well; however, the atmosphere was light, and sensei ordered course after course, and we all shared the various dishes and shared our thoughts on them. This pattern continued for the remaining weeks with Iwasaki sensei. I gradually became a little more outgoing in storytelling, even managing to explain about my long and complicated family ancestry over traditional okonomiyaki. At first, beyond being shy and unconfident in my Japanese, the hardest part about communicating with the group was the fact that understanding the Japanese of older people is a lot more difficult than I thought it would be. I am still not an expert, but you do get better eventually. But through this, I really started to accept that it was okay to make mistakes, and that learning to explain and interpret is just as important as being correct.

​What I found helpful was setting a goal for each week in the CIP, not necessarily for the koto, but conversation topics for everyone. One week, my goal was to learn more about what got sensei into learning traditional instruments and her background, and that gradually led to the conversation about my family tree. I would recommend that in any CIP, have a goal for the week if you feel afraid of not having something to speak about. Also, take advantage of spending time with those in the CIP, because those bonds will last a while as well.

As a CIP this semester I took private lessons in Nihonga, or traditional Japanese painting. The action of painting itself was a very tedious process. The materials are all natural so you have to mix the paint, set the silk, and create the oil all by yourself. However, this was not the main reason of the CIP.

In terms of social observations, I was primarily watching interactions between sensei and the kids that would come on either Friday or Monday. Even though the relationship was the same, the interactions on the two days were vastly different. Since Fridays were days for kids who wanted to do arts and crafts, the atmosphere was more laid back. Kids could talk and move around as they pleased and sensei would only briefly check to see how their progress was going. In contrast, the kids on Mondays had a much more serious environment. This was due to the fact that they were practicing writing in pencil and calligraphy, a skill which does not translate to America. The quality of one’s physical writing is not that important but and that translates to my mind set. I was always shocked when sensei corrected a writing that to me seemed fine. It was all in the tiny details.

The difference in the two days, at least to me, speaks to a difference in importance between the two disciplines in Japanese culture. At least at a younger age, writing is valued much higher that drawing, and therefore requires more intense and focused practice. In contrast, there was one child who was a bit older and sensei focused on because they were

seriously working on art on a level past the crafty nature of everyone else. In this case, sense it was good for the future, it was valued highly.

I attended K-pop dancing classes for my CIP. Since I love dancing K-pop and have been performing back at Emory as well, I thought it would be fun to take K-pop class in Japan. Fortunately, one of KCJS students was also interested in taking a dance class for CIP, so we went to the studio together. For the first try out, we took girls’ hip-hop class. It was fun but it was hard to interact with people since people were not really interested in new students and the instructor did not seem to be interested as well. Next week, we attended K-pop class since we both are interested in K-pop. Unfortunately, classmates were mostly middle school students, which made it difficult for us to talk to people or to get along with. Even though the class itself is very interesting and fun, it was hard to interact with people. Most of the classmates went to take other classes right after our class, so I felt like I did not have time to talk with classmates. However, I had a chance to attend K-pop class in Tokyo. There, the instructor was caring about new students and had a small talk after class about whether or not I enjoyed the class. Also, since I am a Korean and classmates were all very interested in Korea, when they knew that I am a Korean, classmates came to me to talk about their affection to Korea or how much they love k-pop or showing off their Korean skills. Compare to the studio in Kyoto, I would say I enjoyed the atmosphere and the energy of instructor and classmates of Tokyo studio more and it was way easier to have a conversation with people. The most important thing when entering new groups is the reaction and attention of existing members to new members. However, instructors and classmates in Kyoto studio were not very interested in new students, which made it hard for me to get along with people at Kyoto Studio.

Because my goal for CIP was to interact with Japanese people outside of KCJS and become friends with people who have same interest(k-pop), I was not able to achieve my goal at the studio in Kyoto. If you are willing to join dance studio for your CIP, try to find a studio where they have a more welcoming atmosphere and also try actively to interact with people.