“What makes a work of art Rinpa?”
Throughout my first semester at KCJS, this has been a question I have worked hard to answer.
When I first applied to KCJS, I did so primarily because KCJS offered the CIP component. Currently I am an East Asian Studies Major at Bryn Mawr College with a concentration in Japanese Art History, and at the time I applied it was my hope that getting into KCJS would bring me one foot closer to getting an internship at a Japanese art museum. Luckily, through the help of my artisans class professor, Monica Bethe, who had a contact at the Kyoto National Museum (京都国立博物館 Kyoto Kokuritsu Hakubutsukan), I was able to land my dream internship and work together with a crew of people to help visitors understand what special characteristics Rinpa art contains.
Almost every Wednesday at 12:30PM, I’d finish my lunch and then ride the 100 raku bus to the museum, or Kyohaku (京博) as it is commonly referred to by staff and peers alike. Once there, I would check in with the guard at the Western Gate before preceding to meet my CIP contact, who would let me know what type of job I would be working for the day. Some days, I was assigned basic training, such as learning the layout of the museum or studying the Rinpa art movement in Japanese and English. Other days, I got to participate in more hands-on activities, such as attending a class on how to teach Rinpa to elementary school students, or helping visitors make a fan inspired by Rinpa Design. Rinpa (or the “Aesthetics of the Capital” as the exhibition states) is made up of four main principles: 1) 繰り返す (kurikaesu) – Repetition 2)はみ出す (hamidasu) – Running off the Page 3)余白をとる (yohaku o toru) – Leaving an empty space (usually in the middle of the artwork, though it is not always limited to this) and 4)ジグザグ (Ziguzagu) – Creating an uneven pattern (so when repeating an object, making sure the object is not always at the same height level). Together, these four principles create a sense of movement in each Rinpa piece, and it has been my job this semester to faithfully teach children and adults alike how to recognize and explain these principles.
Another component of my CIP has simply been getting to know my peers. With the exception of my fellow college student interns, whom I spend the majority of my time working with, I also work with several adult volunteers and staff members. Because everyone comes from a different background and social standing, learning when to use 敬語 (keigo – Japanese polite language) and です/ます (desu/masu style – still polite, but a much less formal style of Japanese) has been a challenge. I also was able to attend one weekly staff meeting, which ended with everyone discussing the day’s events: what happened, how many people came to the exhibit, what troublesome things occurred, what positive things occurred, what was bothering us, what we were thankful for, etc. One person also brought traditional 和菓子 (Wagashi – aJapanese-style sweet) with them to the meeting, and everyone sat down to eat the snack together. In this regard, I have picked up and learned more about the Japanese work force than I initially expected.
The semester has not been an easy one. As I am treated the same as any other college intern at my CIP worksite, my schedule relies more on when my CIP contacts need me rather than the other way around. Thus, in order to meet my requirements this semester, I have also taken on several smaller volunteer positions in order to have enough credit, such as helping middle school students learn English, working at a tourist office, joining the photography circle, making nabe, etc. Overall, each experience has been a rewarding one, but my favorite experience so far has definitely been the Kyohaku. In the future, my CIP contact Yamakawa-san has promised to let me join in on more hands-on excavation sites (such as one in Osaka where I will be able to handle the rare objects directly), and to let me sit in on more academic lectures and meetings. Although I am sad this semester is coming to an end, I cannot wait to continue building my different CIP relationships next semester in the Spring.