Grace Bologna: Model United Nations

For my fall semester community involvement project, I was extremely fortunate to continue an activity I deeply enjoy at my home school. I joined the Kyoto branch of Japan’s Model UN competition cycle. The branch includes Doshisha University, Kyoto University, and Ritsumeikan University, housing about forty college students. Through the organizations, I was able to gain a first-hand look at the inner workings of MUN in Japan as well as improve my own skills as an international delegate.

I come from an institution that takes the activity quite seriously. I spent nearly twenty hours a week on Model UN activities at the peak of competition season and a failure to win an award at competitions can end your career on the team. Our hard work shows—UChicago has been ranked number one in North America from 2011-2016. A slip due to negligence and changing competition style dropped us to 5th place in 2017, although reapplication has put us back at #1 for the start of the 2018 cycle. Needless to say, I was ready to dive into a similar level of competition in Japan.

What I found was quite different. The first shock was the level of collaboration between students from different institutions. Within the Kyoto branch, Ritsumeikan, Kyo-dai and Doshisha students share research and training sessions. The branch also hosts small simulations of topics large competitions will discuss. That is to say, the Kyoto branch may host a simulation of a committee on refugees when a national conference will offer the same topic a month later. From an American competition perspective, this would be near-suicidal. If a student from a different institution found my plans for committee before the actual competition, I’d be forced to scrap all of those plans and start anew. Such an issue seemed barely on the periphery of the Kyoto branch.

Yet there were many hidden benefits from the relaxed style of competition. The most glaring difference between the American and Japanese competitions spheres was the presence of women. American Model UN has a distinct male focus, with a ratio of about three men to every one woman. In Japan, the ratio was near equal if not more heavily tilted towards women. I was very interested in what tactics made female participation easier or more enticing on the Japanese side. Two of my friends (both women) told me they had never thought of it. Nothing in their experience on the team made it harder for them to compete than their male counterparts. I believe this may directly linked to the inherent lack of team competition. Japanese college students compete as individuals at nationwide conferences. This means you could be paired up with a student from another school, or in my case, even another country. Since there’s no team honor to defend, participants can focus solely on their own growth and knowledge. I believe America could take a lesson.

I would advise any future American participants in Japanese Model UN to keep an open mind. If you have competed in America, the laxness of Japanese competition will surely feel inadequate. However, enjoy the increased range of participation loosening competition allows participants. Develop yourself as a delegate, and take your time learning new vocabulary and building new friendships. You may not return to your American team with new skills, but you will certainly return with a greater understanding of the internationality of MUN.

Tyler Logan: Kimono Making Lessons

While living in Kyoto this year, I had the opportunity to get involved with life in Kyoto outside of my classes at Doshisha by taking lessons on how to sew kimonos. Because I’m an art student with an interest in clothing and textiles, when I came to Japan I knew I wanted to study kimono making. For that reason, I’ve had a great time so far taking my lessons. Over this semester, both my sewing and Japanese skills have gradually improved. I look forward to continuing my lessons next semester as well.

In the old days, all kimono were sewn by hand, so when I started taking my lessons, I also had to learn how to sew by hand. I had made clothes with a sewing machine for art classes before, but I had never made anything just by sewing by hand. However, my Sensei was able to sew with his hands as fast as a machine. I haven’t become that fast, but with practice I have become more skilled in working with the thread and fabric with my hands. The skills I’ve acquired through my CIP will definitely help me with taking my artistic work in new directions when I return to America.

During our lessons, I was also able to practice speaking Japanese with my Sensei. From cutting, to measuring, to folding, to ironing, to sewing, I always had to keep close to my teacher to know what to do next with the cloth. I didn’t know a lot of Japanese words related to clothes when we started, and my teacher’s accent is a little thick, but gradually I became able to both understand and converse with my teacher about his craft. I’ve discovered so much about the minute details and hidden facets of Japanese sewing, and I couldn’t have gotten these insights without the ability to talk with my teacher in Japanese. I’m definitely glad I was able to take these lessons.

Andrew Fischer: Suisōgakudan Seseragi (Concert Band)

The group that I chose to join to fulfill my Community Involvement Project is 吹奏楽団せせらぎ (suisōgakudan seseragi). Seseragi is a community concert band that practices once a week on Friday from 7:30 to 9:00 in the evening. Seseragi‘s members range in age from around twenty to sixty or seventy. I am one of three tuba players in the group, although because most of the members are 社会人 (shakaijin), not everyone comes each week. We usually have a lengthy warmup and then practice two to four pieces of music each rehearsal.

I found that I am able to make conversation with my fellow tuba and euphonium players by talking about topics such as instruments, experiences with music, and differences between Japan and the United States regarding playing in a band or practicing one’s instrument at home. Because playing tuba has been such an important part of my life since I was eleven years old, I have many experiences to talk about, so I have conversed with the other musicians, especially at dinner after rehearsal, about a multitude of experiences and interesting notions.

I have learned that when people share an interest or passion, especially when that passion does not require spoken words, they can make a connection to others simply through sharing that passion, whether through playing music together or simply laughing. While my experience as a member of Seseragi so far has allowed me to use my Japanese language skills to a great extent, I find that coming to understand Japanese society and sharing my interest in music with my fellow members has been the most fulfilling and interesting part of my Community Involvement Project. I plan to continue as a member until I leave Japan next year.