「Private or Group Lesson (Non-Sports)」カテゴリーアーカイブ

Ayanna Minnihan: Fly Dance Studio

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I took hip-hop and k-pop dance classes at Fly Dance Studio. It was so much fun getting to learn different kinds of styles through explanations in Japanese, as well as their approaches to learning and taking care of your body. It also helped me get used to Kansai-ben and other types of speech since it was such a relaxed environment, which is a little bit different than the ways of speaking I’m normally exposed to. If you want more of a community experience and more opportunities to talk with others, my advice would be to attend classes with a friend! When I went with a fellow KCJS student, it was always much easier to interact with the choreographer and other students. Also consider taking the same class each week to better get to know others around you.

Ashley Harlow: 書道

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During my semester at KCJS I studied the art of Japanese calligraphy, or 書道 (しょどう). I studied under 浅草先生 who has been practicing 書道 throughout her entire life alongside of a few of her students. Prior to my first lesson, I had absolutely no experience other than writing a handful of simple kanji with a pencil, so learning to write complex kanji with a large brush I had never used anything like before was a challenge. But by the end of the semester, I had improved enough that 先生 encouraged me to sign my works! Overall, I am extremely grateful for my experience at my CIP! I got a very solid start in a skill that I hope to continue practicing in the future, and I was able to practice my listening skills with Kansai-ben! My biggest piece of advice for students going into their CIPs in the future is to be honest about where your language level is at. If someone says something that you don’t understand, ask them to repeat it or to use more simple vocabulary instead of nodding your head and pretending like you understand; in the long run, you will have a much more enjoyable experience and learn tons more when you can communicate clearly and effectively with each other!

Eva Lu: Tea Ceremony

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I participated in the tea ceremony for my CIP activity, a Japanese cultural practice involving the ceremonial preparation and presentation of matcha (powdered green tea). Over the semester, we had eight lessons dedicated to practicing the tea ceremony procedure known as temae.

With just two students participating in the tea ceremony lessons this semester, the two of us were able to have extensive interactions with the teacher both during and after class, fostering constructive communication. In addition to learning the tea ceremony’s techniques, our deep conversations with the teacher provided valuable insights into the philosophy behind the ceremony and the concept of Wabi-sabi, Japan’s nuanced sense of beauty.

I strongly recommend trying out the tea ceremony if you want a quick dive into Japan’s rich cultural heritage within just three months. Fujimura sensei is genuinely warm and approachable. Her teachings not only cover the tea ceremony but also introduce you to Japanese ideology, offering a comprehensive and enjoyable experience. It was a pleasure getting along with her.

Ying Pan: Tea Ceremony

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For my CIP this semester, I had the pleasure of learning the tea ceremony (茶道) with Fujimura Sensei from the Wabichakai tea ceremony. Under the guidance of Fujimura Sensei, who has almost 20 years of experience with the tea ceremony, we learned the basic steps of a tea ceremony for two hours each week at a serene temple near Kyoto Station or in the tranquil ambiance of a tea room near Takagamine. Our lessons were conducted fully in Japanese and Fujimura Sensei served us some of the best wagashi (Japanese sweets) every lesson. 

One of the most enriching aspects of this journey was Fujimura Sensei’s generosity in sharing not just her knowledge of the tea ceremony, but also her personal insights into Kyoto’s cultural history. Her kindness and patience extended beyond the tea ceremony, preparing and accompanying us to meals where she shared valuable knowledge that enriched our understanding of the city’s essence. 

For anyone interested in learning the tea ceremony, my advice would be to embrace mistakes as part of your learning experience. Whether it be understanding the language, messing up the steps, don’t shy away from asking questions as you will always learn something new from it. I would also say to approach the ceremony with an open heart and a willingness to immerse yourself fully in its tranquility—it’s not just about brewing tea; it’s about embracing a way of life, a cultural philosophy that celebrates harmony, respect, and mindfulness. 

Adelle Robison: Calligraphy

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For my community involvement

project, I took calligraphy (書道) lessons. It was a small class that took place at the calligraphy teacher’s house every week.

The students in the class were all of varying ages and levels, so each person would work on their own project and get individual feedback from our teacher.
I came into the class without any calligraphy experience, so I usually spent class learning to write one or two new words or phrases, usually consisting of 1-3 kanji. It was a super fun and rewarding experience overall. I not only learned something completely new but also got to know the teacher and other students over time through our conversations each class.

My advice to anyone who wants to try calligraphy is to be super open to feedback and learning. I had experience painting before coming into the class, and while there are similarities, calligraphy is also completely different than anything I had done before. Everything from posture to the way the brush is held, to technique is very important, and being really receptive to feedback and learning a completely new art form is super helpful. Receiving feedback can be pretty challenging though, since the instructor uses a lot of Japanese terms specific to calligraphy. I came into it not knowing many of these, but trying to ask clarifying questions whenever a new term came up helped me gradually come to understand her instructions a lot better.

Kyra Douglass: Tea Ceremony

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For my CIP this semester, I took tea ceremony lessons. When I came to Japan for the first time in 2018, I had the opportunity to go to a rural high school’s tea ceremony club. Admittedly, I didn’t really like matcha at the time, so I was having a hard time drinking it then. However, between then and the start of this last semester, I’ve come to love matcha, so deciding to take tea ceremony lessons was a no-brainer for me. Our first day was more of a demonstration and less of a lesson. It was still winter at that point, so the more suburban/semi-rural area that we traveled to for the demo was even more beautiful because of the snow on the ground. The windy streets surrounded by trees and mountains were like nothing I had ever seen. When we finally found the ryokan we would have classes in, we met Fujimura Sensei. She was wearing a kimono, which fit right in with the general traditional vibe of the small tatami room where our classes would be held.  

 

I was extremely nervous at that point. Everything in the room was so perfect, intentional, and unfamiliar to me, and I was afraid that I was somehow going to break something. Since this was very early into the semester, this had become a very common feeling since arriving in Japan: being generally uncomfortable. As Fujimura Sensei was doing the demonstration, I was so impressed by not only the intricacy of the ritual but how graceful and sure she was in each of her movements. I was a little intimidated at first, thinking there was no way I would be able to come close to that level. Even so, Fujimura Sensei was extremely kind, and I would later find out, just as patient and encouraging. Our lessons were completely in Japanese, and when I would struggle with the language, she would use hand movements to help me understand. Also, Connie Situ and Geetanjali Gandhe, the two other KCJS students who were taking the lessons with me, were beyond helpful when it came to helping me understand some of the Japanese instructions. Through their help and Sensei’s teaching style and overall friendliness, I was able to let go of the need to be perfect, and this made me so much more confident and, ultimately, have a lot more fun. This is something I want to carry with me after the end of the program because it can open more doors for me because I am less afraid of failure and am more comfortable with being uncomfortable. 

 

My CIP was also special because Fujimura Sensei went out of her way to teach us about the cultural history of Kyoto and Japan at large. To celebrate White Day, she prepared a multiple-course meal for us and explained the meaning and traditions behind each dish. It was delicious and I was really happy to participate in this holiday for the first time. Later in the semester during sakura season, we did an ochakai, or formal tea ceremony, at Heian Jingu, and later drove out to the countryside to do our own tea ceremony. It was such a beautiful experience, and I’m grateful to Fujimura Sensei for putting it all together. This semester was definitely full of awkward moments and small failures, but because of that, I feel like I am a more confident person than I was at the start.

Lola Simon: Karakami Papermaking

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This semester, I studied a form of traditional decorative papermaking known as karakami with Sugawara Fumiha, a karakami artisan based in Kyoto. Professor Melissa Rinne, who I took the class Kyoto Artisans and their Worlds with, connected me to Sugawara-sensei, who graciously offered to work with me for my CIP.

I study visual art at Brown with a particular focus on printmaking. I hoped to learn something related to printmaking or papermaking for my CIP. Karakami is at the intersection of both! It involves using carved wood blocks to create patterned papers that are typically used to decorate fusuma sliding doors or shoji screens. Karakami came to Japan from Tang Dynasty China during the 8th century, so it is an extremely old art form that still maintains traditional techniques. This involves mixing pigments using mica, a type of crystal found in granite, with gofun, a white pigment made from ground seashells, and funori, a type of glue that comes from dried and boiled seaweed. The ink is brushed onto a special sieve made of gauze, which is then pressed directly onto the woodblock to transfer the ink to the carving. Finally, a piece of paper is placed onto the block, and, using pressure from your palms, the design is transferred onto the paper.

I was able to create and carve my own karakami woodblock designs of bleeding heart flowers and blueberries. I learned how to mix inks, print the blocks, and cut and glue together the papers in order to create a continuous pattern. I even got to make my own karakami panel which I can hang up in my room.

This experience was one of the most meaningful opportunities in my study of both art and Japanese. I learned so much from Sugawara-sensei, who was an extremely kind, generous, and patient teacher. Over the course of the lessons, I grew more and more comfortable talking to Sugawara-sensei in Japanese and was able to form a life-long connection. I was able to learn an art form that I never could have studied without my time at KCJS, and will be forever grateful for this experience.

Advice to future students: if you have a particular interest you hope to pursue in Kyoto, go for it, even if it seems like something that could be difficult to find! I never thought I’d be able to study printmaking with an artisan in Kyoto, yet alone something as special as karakami. However, after talking to KCJS staff and professors about my interests in printmaking, I was able to be connected with Sugawara-sensei, who, despite having never taught lessons before, enthusiastically agreed to teach me. The KCJS program is incredibly supportive and well-connected to Kyoto and may be able to find you opportunities you’d never expect.

Ink mixing!

Karakami paper laid out to dry.

Carving a design.

Skyla Patterson: Fly Dance Studio

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For my CIP I took dance classes at the Fly Dance Studio. It was a very immersive experience, and an amazing way to practice my Japanese skills whilst having fun. My advice to incoming students is to enter with an open mind, and take a bunch of different classes before committing to the same dance teacher every week. That way, you 100% know which class is the best vibes for you.

Chris Elson – Boxing

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My CIP Activity was taking boxing lessons at a local private gym. While there, I could as many times as I wanted, given I paid for the month. Sessions usually started with a couple rounds of jump-rope, then shadow-boxing, punching bag, and finally a session of hitting the mitts with an instructor.

My experience was alright. I had never boxed before starting this CIP and I felt they were encouraging of me despite that fact. Still, I managed not to care too much for boxing and didn’t really care about going every week.

My advice to others would be that to just keep going. Regardless of skill level, you will gain respect the gym as long as you consistently show up. I was always weak, but I found towards the end that as I consistently attend, the better I would be treated, which honestly makes sense as its easy to build a better connection with the instructors and gym-goers at that point.

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Will Hanson: Calligraphy

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This past semester for my CIP I did calligraphy every week. There were six of us who got together every Wednesday to sit down, do some calligraphy, and talk. Everyone in my class was so helpful in my progression every week and in understanding my limited Japanese abilities.

This CIP was an amazing opportunity to progress my language skills while making meaningful connections with local Japanese people. I left each lesson with a feeling of accomplishment and confidence. Occasionally, some of us will stay after class for 15 or so minutes and just talk about whatever is going on in our lives, which was really wholesome!

In terms of advice, I would recommend studying calligraphy-specific language so you can understand the instructions. I would also say that knowing stroke order is particularly important as well. That being said, my class was so accepting of my mistakes and helped me correct them. It is a great learning environment!